"Wendy Buonaventura is quite literally a living legend in Arabic
dance, and has taken the art form to audiences worldwide with her innovative
and beautiful stage shows" - Morag Deyes (Artistic Director, Edinburgh
Dancebase)

I PUT A SPELL ON YOU
A one woman show, exploring themes from book of the same name
A rare fusion of thought-provoking art and inspiring fact…It is
immensely provocative on all levels, testifying to the fact that
Buonaventura still possesses her own brand of spellbinding power. -
DuskaRadosavljevic, The Stage, Aug 13th 2004
A wonderfully witty hour…Buonaventura has assembled some
marvellously silly quotes about the dangers of dance and skilfully
deploys them… I liked it so much I bought the book. - Scotsgay, Aug 2004

MIMI LA SARDINE
Tales of a performer’s life
A celebration of the beauty of hips, valuing the experience that
comes with maturity as well as the energy of youth. Elements of Persian,
Egyptian and Moorish dance are explored with humour and poise, while the
machismo of Arab men is gloriously sent up in a cross-dressed gangster
number…This is a pulsating celebration of movement…a haven of peaceful
beauty that deserves to be savoured. - Don Morris, The Scotsman Aug 24th
1999

DANCING GIRLS
The Orientalist experience of women and dance in the Arab world
Clever and enchanting…an accessible and intelligent piece of
theatre that deserves a wider audience. - Anne Sacks, London Evening
Standard, Sept 12th 1995
Buonaventura juxtaposes the readings, presented in voiceover, with
great wit and skill, and charts the history of Arab dance without
letting us lose sight of its beauty. This artful synthesis of
instruction and delight cries out to be made into a documentary, though
the camera would be hard put to capture the charm and spontaneity of
live performance. - Louise Levene, The Independent, Jan 10th 1996
The tone varies enormously, from outright bawdiness at one extreme
to delicate fantasy at the other, taking in humour, drama and even anger
along the way… Strongly recommended. - John Percival, The Times, Aug
20th 1994

REVELATIONS: The Testament of Salome
The versatility of Buonaventura’s technique is mesmerising. –
Kirsty Milne, New Statesman, Sept 4th 1992
Buonaventura has eloquent
eyes, hips, fingers and toes, creating an atmosphere of sensuous
eroticism. – Michael Billington, The Guardian, Aug 22nd 1992
Salome is
an unlikely candidate for a feminist heroine, but the performance does
convey the beauty of her dance. - Michael Arditti, London Evening
Standard, Oct 1st 1992